AIA25

BIBLIOGRAPHY: items without an indication of paper number are of broad relevance to more than one contribution on our panel; especially important items are in bold.

Please also note the many contributions on the Archivio Digitale Boncompagni Ludovisi project website by the participants in this panel: https://villaludovisi.org

Andres D. J. 1786. Dandole noticia del viage que hizo a varias ciudades de Italia en el afio 1785, vol I. Madrid: De Sancha. PAPER 3

Bambach, C. C. 2017. Michelangelo, Divine Draftsman & Designer. New York: The Metropolitan Museum of Art. PAPER 3

Barbieri, C. 2007. “Chompare e Amicho Karissimo’: A ‘Portrait of Michelangelo’ by His Friend Sebastiano.” Artibus et Historiae 28, no. 56: 107–20. PAPER 3

Barkan, L. 1999. Unearthing the Past : Archaeology and Aesthetics in the Making of Renaissance Culture. New Haven: Yale University Press. PAPER 3

Barkan, L. 2011. Michelangelo: A Life on Paper. Princeton and Oxford: Princeton University Press. PAPER 3

Barolsky, P. 1999. “Michelangelo’s Marble Faun Revisited.” Artibus et Historiae 20, no. 40: 113–16. PAPER 3

Battisti, E. 1995. “The Meaning of Classical Models in the Sculpture of Michelangelo”. In Michelangelo, Selected Scholarship in English, vol. 5, ed. W. E. Wallace. New York and London: Garland Publishing, 337-42. PAPER 3

Baur, J. W. 1636. Vedute de’ giardini. Dumbarton Oaks Research Library, Washington, D.C.

Benocci, C. 2010. Villa Ludovisi. Rome: Istituto poligrafico e Zecca dello Stato, Libreria dello Stato.

Bentz, K. M. 2013.“The Afterlife of the Cesi Garden: Family Identity, Politics, and Memory in Early Modern Rome.” Journal of the Society of Architectural Historians 72.2: 134–65. PAPER 3

Birley, A.R. 1997. Hadrian The Restless Emperor, London: Routledge. PAPER 2

Bober, P. P. and R. Rubinstein. 1986. Renaissance Artists & Antique Sculpture. New York: Oxford University Press. PAPER 3

Brennan, T. C. 2017. “New from ca. 160 CE: Dedicatory Inscription of Imperial Freedman’s Temple to Hercules Hides in Plain Sight at Casino Aurora.” Archivio Digitale Boncompagni Ludovisi, 9 Aug. 2017, https://villaludovisi.org/2017/08/09/new-from-ca-160-ce-dedicatory-inscription-of-imperial-freedmans-temple-to-hercules-hides-in-plain-sight-at-casino-aurora/. PAPER 1

Brennan, T. C. 2019. “Long Presumed Lost, Funerary Monument of Petronia Q.f. Rufina (CIL VI 24047) Reemerges at Rome’s Casino Aurora.” Archivio Digitale Boncompagni Ludovisi, 24 Jan. 2019, https://villaludovisi.org/2019/01/23/long-presumed-lost-tomb-monument-of-petronia-q-f-rufina-cil-vi-24047-reemerges-at-romes-casino-aurora/. PAPER 1

Brooks, J. and N. E. Silver. 2006. Guercino: Mind to Paper. Los Angeles: J. Paul Getty Museum. PAPER 3

Brunori, V. 2008. “The Horti Sallustiani and Villa Ludovisi-location site of the cryptoporticus. Historical and topographical notes.” In O. Brandt (ed.), Unexpected Voices:The Graffiti in the Cryptoporticus of the Horti Sallustiani, 11-33. Stockholm: Paul Astroms Forlag. PAPER 5

Bulman, L. C. 2002. “The market for commissioned drawings after the antique,” The Georgian Group Journal 12: 59-73. PAPER 3

Burckhardt, J. 1855. Der Cicerone: Eine Anleitung zum Genuss der Kunstwerke Italiens. Basel: Schweighauser. PAPER 3

Burlington Fine Arts Club. 1903. Exhibition of Ancient Greek Art, 1903. http://archive.org/details/ExhibitionOfAncientGreekArt. PAPER 4

Buzzetti, F. 1783.  La ville de Rome ou description abregée de cette superbe ville, avec deux plans généraux et ceux de ses XIV quartiers… Troisième édition corrigée & augmentée. Volumes 1-2 de l’imprimerie d’Archange Casaletti. Chez Bouchard et Gravier. PAPER 3

Caglioti, F. 1998. “Sull’esordio brunelleschiano di Domenico Gagini,” Prospettiva 91/92: 70-90. PAPER 3

Candilio, D. and B. Palma Venetucci. 2012. “Alcune novità sulla dispersion della Collezione Ludovisi”, Eidola 9: 141-163.

Canova, A. 1959. I Quaderni di Viaggio: (1779-1780), ed. E Bassi. Venezia: Istituto per la collaborazione culturale. PAPER 3

Coen, P. 2018. The Art Market in Rome in the Eighteenth Century: A Study in the Social History of Art. Boston: Brill. PAPER 3

Colet, L. 1864. L’Italie des Italiens. part 4: Rome. Paris: Dentu. PAPER 3

Condivi, A. 1904. The Life of Michelangelo Buonarroti. Trans. H. P. Horne. Boston: D. B. Updike. PAPER 3

Corbeill, A. 2004. Nature Embodied: Gesture in Ancient Rome. Princeton, N.J.: Princeton University Press. PAPER 4

Cordellier, D., P. Rosenberg, and P. Märker. 2007. Dessins Français du Musée de Darmstadt, Xvie, Xviie Et Xviiie Siècles. Montreuil: Gourcuff Gradenigo; Darmstadt: Hessisches Landesmuseum. PAPER 3

Corsi, F. 1833. Delle pietre antiche trattato. Rome: G. Puccinelli. PAPER 3

De Blocqueville, A. L. 1865. Rome, Paris: J. Hetzel. PAPER 3

De Brosses, C. 1858. Le président de Brosses en Italie : lettres familières écrites d’Italie en 1739 et 1740, vol. II. Paris: Didier. PAPER 3

De Pontmartin, A. 1876. Nouveaux samedis, vol. 2. Paris: Michel Lévy Frères. PAPER 3

De Tolnay, C. 1945. Michelangelo. V The Final Period. Princeton: Princeton University Press. PAPER 3

Dennistoun, J. 1851. Memoirs of the Dukes of Urbino, Illustrating the Arms, Arts, and Literature of Italy,  from 1440 to 1630, vol. 3. London: Longman, Brown, Green, and Longmans. PAPER 3

Deseine, F. J. 1713. Rome moderne, première ville de l’Europe, avec toutes ses magnificences et ses délices; …ce qui est suivi d’une description très-exacte du gouvernement &de l’Etat de Rome, aussi bien que des  fonctions publiques du pape. Chez Pierre Vander Aa. PAPER 3

Discafani, G. 2020. “NEW from the 2nd Century CE: In the Garden of Rome’s Casino Aurora, Farewell to a ‘Hero’ from a Philosopher Admired by Marcus Aurelius.” Archivio Digitale Boncompagni Ludovisi, 21 Feb. 2020, https://villaludovisi.org/2020/02/21/new-from-the-2nd-century-ce-in-the-garden-of-romes-casino-aurora-farewell-to-a-hero-from-a-philosopher-admired-by-marcus-aurelius/.

Fabri, J. 1606. In imagines illustrium ex Fulvii Ursini bibliotheca, Antverpiae à Theodoro Gallaeo expressas, commentarius. Ex Officina Plantiniana, apud Joannem Moretum. PAPER 3

Fea, C. 1822. Descrizione di Roma e de’ contorni, vol. II. Rome: C. Puccinelli.

Felici, G. 1952. Villa Ludovisi in Roma. Roma: Sansaini.

Ficoroni, F. 1744. Le Vestigia e Rarità di Roma Antica. Rome: Mainardi.

François, D. A; de Sade, M. 2020. (1775). Journey to Italy. Toronto Buffalo London: University of Toronto Press. PAPER 3

Freedman, L. 2003. “Michelangelo’s Reflections on Bacchus.” Artibus et Historiae 24, no. 47: 121–35. PAPER 3

Fulchiron, J. C. 1841. Voyage dans l’Italie méridionale, Rome et ses environs, vol. 4. Paris: Imprimerie de Pillet Aine. PAPER 3

Furtwängler, Adolf. Die antiken Gemmen, Geschichte der Steinschneidekunst im klassischen Altertum. Leipzig: Giesecke, 1900. https://catalog.hathitrust.org/Record/001472136. PAPER 4

Gaifman, M. and V. Platt. 2018. “Introduction: From Grecian Urn to Embodied Object,” Art History 41, no. 3: 402–19. PAPER 4

Galle, G. 1604. Illustrium imagines, ex antiquis marmoribus, nomismatibus, et gemmis expressae: quae exstant Romae, maior pars apud Fulvium Vrsinum. Antuerpiae: Ex Officina Plantiniana. http://archive.org/details/illustriumimagin00gall. PAPER 3

Galli, M. 2017. “Hadrian’s forgotten heir: a new portrait of Aelius Caesar from Eva-Loukou” https://www.researchgate.net/publication/320015702_Hadrian’s_forgotten_heir_a_new_portrait_of_Aelius_Caesar_from_Eva-Loukou PAPER 2

Gallo, D. 2018. “Economic and Scholarly Appraisal of Ancient Marbles in Late 18th- Century Rome”. In The Art Market in Rome in the Eighteenth Century: A Study in the Social History of Art, ed. P. Coen. Boston: Brill, 199-210. PAPER 3

Gnann, A. 2010. Michelangelo: The Drawings of a Genius. Ostfildern, Hatje Cantz. PAPER 3

Goldscheider, L. 1996. Michelangelo: paintings, sculpture, architecture. London: Phaidon. PAPER 3

Gwilt, J., W. A. V. S. Papworth. 1842. An Encyclopedia of Architecture, Historical, Theoretical, and Practical. London: Longmans, Green. PAPER 3

Hartswick, K. J. 2004. The Gardens of Sallust: a changing landscape. Austin: University of Texas Press.

Haskell, F. and N. Penny. 1981. Taste and the Antique: The Lure of Classical Sculpture. New Haven and London: Yale University Press.

Heyne, C. G., and N. E. Lemaire (edd.). 1822. P. Virgilius Maro Qualem Omni Parte Illustratum Tertio. colligebat N.E. Lemaire. PAPER 1

Holmes, B. 2017. “The Body of Western Embodiment: Classical Antiquity and the Early History of a Problem” in J. E. H. Smith (ed.), Embodiment: A History. Oxford: Oxford University Press, pp. 17-50. https://doi.org/10.1093/acprof:oso/9780190490447.003.0002 . PAPER 4

Højte, J. M. 1999. The Epigraphic Evidence concerning Portrait Statues of Hadrian’s Heir L. Aelius Caesar. Zeitschrift für Papyrologie und Epigraphik, 127, 217–238. http://www.jstor.org/stable/20190493 . PAPER 2

Hülsen, C. 1917. Römische Antikengärten des XVI. Jahrhunderts. Germany: C. Winter. PAPER 3

Jaffé, D. 1993. “Aspects of Gem Collecting in the Early Seventeenth Century, Nicolas-Claude Peiresc and Lelio Pasqualini.” The Burlington Magazine 135 (1079): 103–20. PAPER 4

Matthews, K. D., Jr. and R. Brilliant. 1963. Gesture and Rank in Roman Art. The Use of Gestures to Denote Status in Roman Sculpture and Coinage. Memoirs of the Connecticut Academy of Arts and Sciences, XIV https://www.jstor.org/stable/10.2307/4345603?origin=crossref. PAPER 4

Justi, C. 1872. Winckelmann in Italien: mit Skizzen zur Kunst- und Gelehrtengeschichte des achtzehnten Jahrhunderts. Leipzig: Vogel.

Kansteiner, S., B. Kuhn-Forte and M. Kunze. 2003. Johann Joachim Winckelmann, Ville e Palazzi di Roma. Mainz am Rhein: Verlag Philipp von Zabern.

Kazimierczak, M. 2019. “Michał Tyszkiewicz (1828–1897): an illustrious collector of antiquities.” Muzealnictwo 60: 71. https://doi.org/10.5604/01.3001.0013.2202. PAPER 4

La Monica, D. 2002. “Progressi Verso La ‘Dactyliotheca Ludovisiana.’” Annali Della Scuola Normale Superiore Di Pisa. Classe Di Lettere e Filosofia 7 (1): 35–84. PAPER 4

Lacombe 1775. Dictionnaire historique et géographique portatif de l’Italie, vol.1. Paris: Chez Lacombe. PAPER 3

Lafond, E. 1856. Rome, Lettres d’un Pèlerin, vol. 2. Paris: Bray. PAPER 3

LaLande, J. J. Le F. 1769. Voyage d’un francais en Italie, fait dans les annees 1765 et 1766. Yverdon. Le Courrier du Gard: Journal Politique, Administratif et Judiciaire, 1864. Nimes. PAPER 3

Loffredo, F. 2018. “Pirro Ligorio and Sculpture, or, on the Reproducibility of Antiquity”. In Pirro Ligorio’s Worlds: Antiquarianism, Classical Erudition and the Visual Arts in the Late Renaissance, ed. F. Loffredo and G. Vagenheim. Leiden: Brill, 324-59. PAPER 3

Macandrew, H. 1978. “A Group of Batoni Drawings at Eton College, and Some Eighteenth-Century Italian Copyists of Classical Sculpture.” Master Drawings 16: 131–215. PAPER 3

Magnan, D. 1826. La città di Roma. Roma: Monaldini. PAPER 3

Martyn, T. 1791. A Tour Through Italy. London. PAPER 3

Matz, F. and F. K. V. Duhn. 1881. Antike bildwerken Rom: bd. Sarkophagreliefs. Leipzig: Breitkopf & Härtel. PAPER 3

Meulen, Marjon van der. 1974. “Cardinal Cesi’s Antique Sculpture Garden: Notes on a Painting by Hendrick van Cleef III.” The Burlington Magazine 116, no. 850: 14–24. PAPER 3

Micheli, M. E. 1986. In Palma, B.,  L. de Lachenal and M.E. Micheli (eds.) 1986. Museo Nazionale Romano.  Le sculture. I Marmi Ludovisi dispersi. I.6. Milan: De Luca Edit.: 239-240. PAPER 3

Montault, B. 1870. Les Musées et galeries de Rome: catalogue général de tous les objets d’art qui y sont exposés. Rome: J. Spithover. PAPER 3

Montegut, É. 1870.“Impressions de Voyage et D’Art”, Revue des Deux Mondes 85, 918-41. PAPER 3

Mortoft, F. 1925. Being His Travels through France and Italy, 1658-1659, ed. Malcolm Letts. London: Hakluyt Society.

Moyne, L. 1855. Italie Guide du Jeune Voyageur. Rouen: Mégard et Cio. PAPER 3

Nibby, A. 1841. Roma nell’anno MDCCCXXXVII. Roma: Giovanni Gallarini.

​​Nouvelles archives de l’art français. 1899. France: Société de l’histoire de l’art français. PAPER 3

Palma, B. (ed.). 1983. Museo Nazionale Romano. Le sculture 1.4: I Marmi Ludovisi, storia della Collezione. Milan: De Luca Editore.

Palma, B. and L. de Lachenal (edd.). 1984. Museo Nazionale Romano. Le Sculture. 1.5 I Marmi Ludovisi nel Museo Nazionale Romano. Milan: De Luca Editore.

Palma, B., D. Candilio. 2012. “Alcune Novità sulla Dispersione della Collezione Ludovisi” Eidola 9: 141-63.

Palma, B., L. de Lachenal and M.E. Micheli (edd.). 1986. Museo Nazionale Romano. Le sculture.  I Marmi Ludovisi dispersi. I.6. Milan: De Luca Editore.

Paoletti, J. T. 1995. “Michelangelo’s Mask.” In Michelangelo, Selected Scholarship in English, vol. 5, ed. W. E. Wallace. New York and London: Garland Publishing, 399-416. PAPER 3

Petit-Radel, P. 1811. Voyage historique, chorographique et philosophique dans les principales villes de l’Italie, en 1811 et 1812. Tome 2. Paris: Chanson. (published 1815). PAPER 3

Piale, S. 1826. La ville de Rome; ou, Description de cette superbe ville et de ses environs. V. Rome: Monaldini.

Pinaroli, G. P. 1713. L’Antichità di Roma II. (n.p.): Gapiano Zenobj Stampatore.

Plantzos, D. 2023. Hellenistic Engraved Gems. Oxford Scholarship Online. Oxford: Clarendon Press. PAPER 4

Platner, E. Z. 1830. Beschreibung der Stadt Rom, vol. 3 Stuttgart und Tübingen, Cotta.

Ramdohr, F. W. B. von, 1787. Über Mahlerei und Bildhauerarbeit in Rom für Liebhaber des Schönen in der Kunst. T. 2. Leipzig. PAPER 3

Richard, M. L’Abbe. 1769. Description historique et critique de l’Italie. Sailland. PAPER 3

Richter, G. M. A. ed. 1956. Metropolitan Museum of Art (New York, N.Y.): Catalogue of Engraved Gems: Greek, Etruscan, and Roman. Roma: “L’Erma” di Bretschneider. PAPER 4

Robello, G. 1854. Les curiosités de Rome et de ses environs. Paris: L. Maison.

Rossini, P. 1693. Il Mercurio errante delle grandezze di Roma. Rome: G. B. Molo.

Russell, A. G. B., 1987. Drawings by Guercino. London:E. Arnold & Co. PAPER 3

Russell, F. 1987. “The  Derby Collection (1721-1735).” The Volume of the Walpole Society 53: 143–80. PAPER 3

Ruvoldt, M. 2003. “Michelangelo’s Dream.” The Art Bulletin 85: 86–113. PAPER 3

Saslow, J. M. 1986. Ganymede in Renaissance, Homosexuality in Art and Society. New Haven, and London: Yale University Press. PAPER 3

Saslow, J. M. 1991. The Poetry of Michelangelo, New Haven, and London: Yale University Press. PAPER 3

Schiavo, A. 1981. Villa Ludovisi and Palazzo Margherita. Rome: Editrice Roma Amor.

Schofield, R. 1980.“Giovanni da Tolentino Goes to Rome: A Description of the Antiquities of Rome in 1490,” Journal of the Warburg and Courtauld Institutes 43: 246–56. PAPER 3

Schreiber, T. 1880. Die antiken Bildwerke der Villa Ludovisi in Rom. Leipzig: W. Engelmann.

Sebastiani, P. 1683. Viaggio curioso de’ palazzi, e ville più notabili di Roma. Rome: Il Moneta.

Seignelay, J. C. 1867. L’Italie en 1671. (n.p.): Didier et C.e. PAPER 3

Sprenger, J. T. 1667. Roma nova. Germany: Impensis Aegidii Vogelii. PAPER 3

Stendhal (Marie-Henri Beyle). 1854. Histoire de la Peinture en Italie. Paris: Michel Lévy Frères. PAPER 3

Stolberg F. L. 1796. Travels Through Germany, Switzerland, Italy, and Sicily, vol. 1,  G.G. & J. Robinson. PAPER 3

Swedenborg, E. 1840. Itinerium. Gutenberg: Tubingae. PAPER 3

Tyskiewicz, M. 1896. “Notes et souvenirs d’un vieux collectionneur (Suite),” Revue Archéologique 28: 289–95. PAPER 4

Vasari, G. 1971. Life of Michelangelo Buonarroti, translated by George Bull. London: The Folio Society. PAPER 3

Venditti, G. et al. (ed.) 2008. Archivio Boncompagni Ludovisi: inventario. 5 vols. Vatican City: Archivio segreto vaticano.

Venuti, R. 1776. Roma Moderna. Accurata, e succinta descrizione topografica e istorica di Roma moderna. Rome: C. Barbiellini. PAPER 3

Volkmann, J. J. 1770. Historisch-kritische Nachrichten von Italien. Germany: Fritsch. PAPER 3

Vollenweider, M.-L. 1972. Die Porträtgemmen der römischen Republik. P. von Zabern. PAPER 4

Wallace, W. E. 1998. Michelangelo: The Complete Sculpture, Painting, Architecture, New York: Beaux Art Editions. PAPER 3

Webb, D. 1760.  An Inquiry into the Beauties of Painting. London: R. & J. Dodsley. PAPER 3

Weston, S. 1790. Viaggiana: Or, Detached Remarks on the Buildings, Pictures, Statues, Inscriptions, &c. of Ancient and Modern Rome. With Additional Observations. Rome: Clarke. PAPER 3

Winckelmann, J. J. 2003. (1756). Ville e Palazzi di Roma Antiken in den römischen Sammlungen. Verlag Philipp Von Zabern. Mainz Am Rhein. PAPER 3

Zwierlein-Diehl, E. 2012. Antike Gemmen und ihr Nachleben. De Gruyter. https://doi.org/10.1515/9783110920406. PAPER 4